Glamour Photography in Los Angeles: What It Is, What to Expect, and Why It's Worth It
There's a version of you that you don't see every day. Glamour photography exists to find her. Here's how we do it at Black Kat Studios in Los Angeles.
There's a version of you that you don't see every day. Not the version in the bathroom mirror at 6am. Not the version on a Zoom call with bad lighting. The version that walks into a room and makes people wonder who she is.
That's what glamour photography is for.
At Black Kat Studios, we do two things: boudoir and glamour. They're related but they're not the same. If you've been curious about what glamour photography actually looks like in Los Angeles and whether it's something you'd want to do, this post is for you.
What glamour photography actually is
Glamour photography isn't one thing. That's what most people get wrong about it.
It can be old Hollywood. Dramatic shadows, deep contrast, a woman who looks like she just walked off a 1940s film set. It can be sharp and modern, clean editorial lines, the kind of image you'd see in a high end magazine today. It can be dark and cinematic or bright and architectural. What all of it has in common is intention. Every element in the frame is there on purpose.
Glamour is about presence. It's about making you look powerful, polished, and completely yourself, just elevated. It's not always overtly sexy, though it absolutely can be. The goal is the version of you that owns every inch of the frame.
Los Angeles has always had a relationship with glamour. Old Hollywood is part of the city's DNA. So is the modern creative scene that's redefining what a beautiful image looks like. We work in both worlds, and we'll figure out which one fits you.
How it's different from boudoir
We get this question a lot. If you've read our post on what every woman should know before her boudoir session, you already know that boudoir is intimate. It's personal. The settings are soft, the wardrobe is lingerie or implied, and the images are usually for you or someone close to you.
Glamour is more public facing. The wardrobe is more editorial. The energy is more "cover of a magazine" and less "morning in my bedroom." A lot of women do both in the same session, which we love, but they serve different purposes.
If boudoir is about how you feel, glamour is about how you appear. Both are powerful. They're just different tools.
What a glamour session looks like at Black Kat Studios
We work out of curated professional locations throughout Los Angeles. We'll choose a location that matches the aesthetic you're going for, whether that's a classic studio with dramatic lighting options, something more architectural and modern, or a set with a specific mood built into it.
Your session includes a hair and makeup artist who stays with you the entire time. She's not doing your makeup and sending you off. She's there through every look, touching things up between wardrobe changes, making sure you look as good in hour three as you did in hour one.
We'll talk through your wardrobe before the session. How many looks you're doing, what the vibe is for each one, what you want to feel like in the images. If you want guidance on what to wear, we have a free clothing guide that covers fabrics, fit, and what translates well on camera.
The session itself is usually more relaxed than people expect. Most women come in nervous and leave surprised at how natural it felt. We direct you. You don't need to know how to pose. That's our job.
Who does glamour photography in Los Angeles?
All kinds of women.
Women who are about to hit a milestone birthday and want to mark it with something real. Women who've come through something hard and are stepping into what's next. Women who want professional images that have personality instead of the flat corporate headshot look. Women who've been told their whole lives that they're not the type of person who gets photographed like this.
There's no type. We've worked with women in their 30s, 40s, 50s, and beyond. Women who are completely comfortable in front of a camera and women who hadn't been photographed in years. If you're a woman who wants images that actually look like the version of yourself you know is in there, glamour photography in Los Angeles is worth considering.
What the images look like
Our aesthetic is cinematic, direct, and honest. We're not interested in making you look like someone else. We're interested in finding the version of you that already exists and making sure the camera sees it.
That means we can go dark and moody or bright and graphic depending on what you're after. We can pull from classic Hollywood references or shoot something that looks like it belongs in a contemporary fashion editorial. Usually it's a mix. Most sessions end up with images that feel timeless rather than trendy, which is exactly the point.
We don't over-retouch. We clean up what we need to and leave the rest. You'll look like yourself, just on your best day.
Our pricing page breaks down everything included in each collection. Glamour collections are built around wall art because these images are meant to be seen. A large format metal print of the right image in the right room changes the room.
How to get started
If you want to talk through whether glamour photography is the right fit for what you have in mind, the first step is a consultation. We go over your vision, the look you're going for, location options, and what to expect from start to finish. No commitment required.
You can schedule your consultation here. If you're not quite ready to book, grab the free clothing guide first and spend some time with the idea.
But if you've been thinking about doing something like this for a while and keep finding reasons to wait, this is the nudge. You don't have to wait until you've lost the weight. You don't have to wait until you feel like you've earned it. The version of you that exists right now is worth photographing.
She always was.
Vintage Glamour Photography with Chandler Love at Delilah West Hollywood
Some locations do not need much help. Delilah in West Hollywood is one of them. The moment you walk through the door the place tells you exactly what kind of photographs you are going to make.
Some locations do not need much help. Delilah in West Hollywood is one of them.
The moment you walk through the door the place tells you exactly what kind of photographs you are going to make. Deep red walls, velvet booths, gold everywhere, Art Deco details that make every hallway feel like a film set. Delilah has been a Hollywood institution since it opened and it shows in every surface.
I had the pleasure of working with Chandler Love (@chandler__love) for a vintage glamour shoot that felt like it belonged in a different era entirely. Chandler brought exactly the right energy to a location like this — warm, easy to direct and completely at home in front of the camera regardless of what you asked her to do.
The Styling
None of this happens without the right wardrobe. Geena Lorenzo from Genuinely Engaging Entertainment handled all the styling for the shoot and delivered something extraordinary. The gold corset, the crimson velvet, the feathered headdress — every piece was chosen to work with Delilah's interior rather than compete with it.
When the styling is this strong the photographer's job is to stay out of the way and let the light and the location do what they do.
The Shoot
Chandler is the kind of person who makes a difficult location feel effortless. Delilah is not a photography studio — the lighting is moody and inconsistent, the spaces are tight and the ambient light shifts constantly. None of that fazed her. She moved through the space like she had been shooting there for years.
We worked the hallways, the booths, the bar area. Every corner of Delilah has its own personality and Chandler matched each one without missing a beat.
The headdress shots in the corridor are some of the most dramatic images I have made in any location. The warm amber light coming from above, the deep red walls closing in on both sides, Chandler holding that gaze like she owns the entire building. That is not something you can manufacture. That is a model who understands exactly what a moment requires.
The Booth
The one that stopped me during the edit. Chandler reclined across the velvet booth, legs stretched across the table, staring directly into the lens with an expression that dares you to look away. The crimson walls and gold place settings frame her perfectly. It is a photograph that belongs in a different decade and somehow feels completely modern at the same time.
That is what Delilah does. It makes everything feel timeless.
If a styled glamour shoot at an iconic Los Angeles location sounds like something you want to experience, let's talk. Schedule your free consultation and let's create something extraordinary together. 909-234-2711
Helmut Newton and the Photographer Who Cannot Look Away | Black Kat Studios Los Angeles
There are photographers whose work you study and photographers whose work stops you cold. Helmut Newton stopped me cold.
Helmut Newton and the Photographer Who Cannot Look Away
There are photographers whose work you study and photographers whose work stops you cold. Helmut Newton stopped me cold.
I came to his work the way most photographers do — through the images themselves before I knew anything about the man behind them. Hard light cutting across a woman's face. Deep shadow pooling in architectural space. Subjects who looked like they owned every room they were ever photographed in.
I did not know what to call what I was seeing. I just knew I could not stop looking.
The Light
Newton's lighting is what gets me first every time. Bold, hard, unforgiving and completely intentional. He was not interested in flattering light that smoothed everything out and made everyone look comfortable. He wanted light that revealed. Light that created structure. Light that said something.
There is a minimalism to how he used light that I find endlessly compelling. He was not filling shadows to make the image easier to look at. He was letting the shadows do the work. The contrast between what he lit and what he left dark is where the tension lives in his images and tension is what makes a photograph worth looking at twice.
That philosophy is deeply embedded in how I shoot. I am not trying to create images that are easy. I am trying to create images that are true.
The Subjects
Newton's women are never victims of the camera. They are never passive. They look directly into the lens with an expression that makes very clear who is actually in control of the situation.
I have read the debates about his work. The conversations about the male gaze, about power, about what it means for a man to photograph women the way he did. I understand those conversations.
What I always come back to is the subjects themselves. They look powerful. They look confident. They look like women who knew exactly what they were doing and chose to be there. That reads differently to me than images where the subject looks like something is being taken from them.
Whether that was Newton's intention or the women's own presence asserting itself through the lens I cannot say. Probably both. But the result is images that have lasted decades and still feel modern because confidence does not age.
The Commercial Work
Newton shot for Vogue, for Yves Saint Laurent, for every major fashion house of his era. And somehow none of it feels like advertising. It feels like art that happened to be paid for.
That is the standard I hold myself to. Every session I shoot is commissioned. Someone is paying me to create something. But the images I am most proud of are the ones where you cannot tell. Where the result feels inevitable rather than manufactured. Where the subject and the light and the moment came together into something that would exist whether anyone was paying for it or not.
Newton understood that commercial work and fine art are not opposites. They are the same thing when you refuse to lower your standards for either one.
What He Left Behind
Helmut Newton died in 2004 but his visual vocabulary is everywhere. The hard light. The strong female subject. The architectural use of space. The refusal to be soft when sharp serves better.
Photographers working today whether they know his name or not are working in a language he helped create.
I know his name. I know his work. And I am grateful for both.
The Helmut Newton Foundation in Berlin preserves his archive and continues to exhibit his work. If you have never spent time with his images properly visit helmut-newton-foundation.org and give yourself an hour. It is worth it.
If bold light, strong contrast and images that do not apologize for themselves sound like what you are looking for, let's talk. Schedule your free consultation and let's create something that lasts. 909-234-2711
Helmut Newton inspired photos taken by Rick Feldman at Black Kat Studios
Helmut Newton inspired fine art glamour portrait by Rick Feldman at Black Kat Studios Los Angeles
Hard light fine art portrait session by Rick Feldman at Black Kat Studios inspired by Helmut Newton
Black and white fine art glamour photography by Rick Feldman at Black Kat Studios Los Angeles