Fine Art Glamour Los Angeles Rick Feldman Fine Art Glamour Los Angeles Rick Feldman

Vintage Glamour Photography with Chandler Love at Delilah West Hollywood

Some locations do not need much help. Delilah in West Hollywood is one of them. The moment you walk through the door the place tells you exactly what kind of photographs you are going to make.

Vintage glamour photography Chandler Love Delilah West Hollywood Black Kat Studios

Some locations do not need much help. Delilah in West Hollywood is one of them.

The moment you walk through the door the place tells you exactly what kind of photographs you are going to make. Deep red walls, velvet booths, gold everywhere, Art Deco details that make every hallway feel like a film set. Delilah has been a Hollywood institution since it opened and it shows in every surface.

I had the pleasure of working with Chandler Love (@chandler__love) for a vintage glamour shoot that felt like it belonged in a different era entirely. Chandler brought exactly the right energy to a location like this — warm, easy to direct and completely at home in front of the camera regardless of what you asked her to do.

The Styling

None of this happens without the right wardrobe. Geena Lorenzo from Genuinely Engaging Entertainment handled all the styling for the shoot and delivered something extraordinary. The gold corset, the crimson velvet, the feathered headdress — every piece was chosen to work with Delilah's interior rather than compete with it.

When the styling is this strong the photographer's job is to stay out of the way and let the light and the location do what they do.

Vintage glamour photography feather headdress Delilah West Hollywood Black Kat Studios


The Shoot


Chandler is the kind of person who makes a difficult location feel effortless. Delilah is not a photography studio — the lighting is moody and inconsistent, the spaces are tight and the ambient light shifts constantly. None of that fazed her. She moved through the space like she had been shooting there for years.


We worked the hallways, the booths, the bar area. Every corner of Delilah has its own personality and Chandler matched each one without missing a beat.


The headdress shots in the corridor are some of the most dramatic images I have made in any location. The warm amber light coming from above, the deep red walls closing in on both sides, Chandler holding that gaze like she owns the entire building. That is not something you can manufacture. That is a model who understands exactly what a moment requires.

Vintage glamour portrait corridor Delilah West Hollywood Black Kat Studios Los Angeles


The Booth


The one that stopped me during the edit. Chandler reclined across the velvet booth, legs stretched across the table, staring directly into the lens with an expression that dares you to look away. The crimson walls and gold place settings frame her perfectly. It is a photograph that belongs in a different decade and somehow feels completely modern at the same time.


That is what Delilah does. It makes everything feel timeless.

Glamour photography velvet booth Delilah West Hollywood Chandler Love Rick Feldman
Black and white glamour photography Delilah West Hollywood Rick Feldman Black Kat Studios

If a styled glamour shoot at an iconic Los Angeles location sounds like something you want to experience, let's talk. Schedule your free consultation and let's create something extraordinary together. 909-234-2711

Black and white glamour photography Delilah West Hollywood Rick Feldman Black Kat Studios
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Helmut Newton and the Photographer Who Cannot Look Away | Black Kat Studios Los Angeles

There are photographers whose work you study and photographers whose work stops you cold. Helmut Newton stopped me cold.

Helmut Newton and the Photographer Who Cannot Look Away

There are photographers whose work you study and photographers whose work stops you cold. Helmut Newton stopped me cold.

I came to his work the way most photographers do — through the images themselves before I knew anything about the man behind them. Hard light cutting across a woman's face. Deep shadow pooling in architectural space. Subjects who looked like they owned every room they were ever photographed in.

I did not know what to call what I was seeing. I just knew I could not stop looking.

The Light

Newton's lighting is what gets me first every time. Bold, hard, unforgiving and completely intentional. He was not interested in flattering light that smoothed everything out and made everyone look comfortable. He wanted light that revealed. Light that created structure. Light that said something.

There is a minimalism to how he used light that I find endlessly compelling. He was not filling shadows to make the image easier to look at. He was letting the shadows do the work. The contrast between what he lit and what he left dark is where the tension lives in his images and tension is what makes a photograph worth looking at twice.

That philosophy is deeply embedded in how I shoot. I am not trying to create images that are easy. I am trying to create images that are true.

The Subjects

Newton's women are never victims of the camera. They are never passive. They look directly into the lens with an expression that makes very clear who is actually in control of the situation.

I have read the debates about his work. The conversations about the male gaze, about power, about what it means for a man to photograph women the way he did. I understand those conversations.

What I always come back to is the subjects themselves. They look powerful. They look confident. They look like women who knew exactly what they were doing and chose to be there. That reads differently to me than images where the subject looks like something is being taken from them.

Whether that was Newton's intention or the women's own presence asserting itself through the lens I cannot say. Probably both. But the result is images that have lasted decades and still feel modern because confidence does not age.

The Commercial Work

Newton shot for Vogue, for Yves Saint Laurent, for every major fashion house of his era. And somehow none of it feels like advertising. It feels like art that happened to be paid for.

That is the standard I hold myself to. Every session I shoot is commissioned. Someone is paying me to create something. But the images I am most proud of are the ones where you cannot tell. Where the result feels inevitable rather than manufactured. Where the subject and the light and the moment came together into something that would exist whether anyone was paying for it or not.

Newton understood that commercial work and fine art are not opposites. They are the same thing when you refuse to lower your standards for either one.

What He Left Behind

Helmut Newton died in 2004 but his visual vocabulary is everywhere. The hard light. The strong female subject. The architectural use of space. The refusal to be soft when sharp serves better.

Photographers working today whether they know his name or not are working in a language he helped create.

I know his name. I know his work. And I am grateful for both.

The Helmut Newton Foundation in Berlin preserves his archive and continues to exhibit his work. If you have never spent time with his images properly visit helmut-newton-foundation.org and give yourself an hour. It is worth it.

If bold light, strong contrast and images that do not apologize for themselves sound like what you are looking for, let's talk. Schedule your free consultation and let's create something that lasts. 909-234-2711

Helmut Newton inspired photos taken by Rick Feldman at Black Kat Studios

Helmut Newton inspired glamour photography Black Kat Studios Los Angeles Rick Feldman

Helmut Newton inspired fine art glamour portrait by Rick Feldman at Black Kat Studios Los Angeles

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Hard light fine art portrait session by Rick Feldman at Black Kat Studios inspired by Helmut Newton

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Black and white fine art glamour photography by Rick Feldman at Black Kat Studios Los Angeles

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